My career as an elitist prime glass snob has come to an end after real-world professional work using an unexpected lens choice showed me the error of my ways.
Photojournalistic
Covering the Coney Island Polar Bear Plunge
I’ve been covering the Coney Island Polar Bear Plunge like clockwork for well over a decade now, and I think it’s fair to say that I’ve picked up a few useful habits along the way. For those unfamiliar with the event, imagine several hundred folks in various stages of near-nudity packed into a corner of the beach. It’s typically rather cold – though some years have been colder than others – and everyone’s working themselves up into a fevered lather. In this excitement, a drum team forms up, creating a corridor from the top of the beach to the ocean. As the sound of those instruments gets louder and faster and more aggressive, the signal is sounded and the mob stampedes towards the Atlantic.
Reuters Photojournalist Dies in Afghanistan After Being Left Behind During Retreat
Danish Siddiqui was no stranger to dangerous situations, having captured images of the Rohingya refugees fleeing Myanmar that garnered a team Pulitzer Prize in 2018. He put himself in harm’s way during the tensions between the Hindu majority and Muslim minority in Delhi and again during the pandemic. His images of funeral piers in India were in stark contrast to the government’s statements that the COVID response was well in hand.
Call of Duty Trivializes War Photography
In a few days, Activision will launch the 18th installment of Call of Duty, returning players to the Second World War. To market the game’s new photography mode, two conflict photographers were immersed inside the virtual world and tasked with photographing it. The resulting commercial portrays mankind’s most brutal act of self-destruction as little more than a game of football.
