There are literally thousands and thousands of 35mm film cameras that have been produced over the last 100 years or so, and more are being manufactured even now. However, there’s one camera that sits at the top of the tree, at least for me.
It’s probably fair to say that we would all like to improve our photography, perhaps in a small specific way or maybe a whole new aspect, such as off-camera flash or wedding photography. Having a desire to improve is why we do things like buying lots of expensive new equipment in the hope it will improve our images or spend hours taking photos and editing them, much to the annoyance of our family and partners.
The internet and social media can be a bit of a double-edged sword. On one hand, it is easier than ever before to quickly digest the work of hundreds of creatives and to find inspiration, educate yourself, and network with other photographers and filmmakers. It is not all positive, though. One of the most dangerous things you can do is fall into the trap of making art for other artists, and this great video essay discusses why that is something to be avoided.
Drones are appealing to a wide gamut of people, from creatives to tech-heads, to aviation enthusiasts. For me, it was perhaps a blend of all three, but something I couldn’t easily justify. Nevertheless, I bought one anyway, and it turned out to be the best poor decision I’ve ever made.
When a new camera is released, many photographers will upgrade almost at once. A new camera often promises more resolution, a larger dynamic range, less noise, and perhaps new functions. But it won’t promise a better photo. Or does it? Let’s take a look at a reason to upgrade or the lack of reason.