When Leica announced its brand new Vario-Elmarit-SL 24-70mm f/2.8 ASPH last week, it was interesting to note how similar it is to the 24-70mm f/2.8 DG DN Art released by Sigma last year. Has Sigma built this lens in Japan so that Leica can stick a red dot on it?
With the news that Instagram’s focus has shifted to be far less centered around images, many photographers who have spent years building their following and brand on the app are left out in the cold. This isn’t the first, nor will it be the last time you are reminded of the dangers of building a large part of your business on someone else’s platform.
Nikon’s recent lens announcement, the Z 28-75 f/2.8, came as a bit of surprise. Notably absent from the roadmap, with few rumors or speculation in the run-up to its appearance, this lens is an odd duck in more ways than one. Is this a promising development for the Z system or a missed opportunity?
The Canon 5DS and 5DS R were notable for offering 50-megapixel sensors at a time when that was an extremely high resolution for a full frame camera. Nowadays, 45-50 megapixels is much more common on higher-end camera bodies, with full frame options topping out at 61 megapixels. It looks like Canon plans to eclipse that figure by a significant amount with a new camera, however.
The UK’s new Online Safety Bill is a massive change, heralding a new digital age that is safer for users. Tech giants and websites will be held to account, and they don’t have to be UK based to face the enormous consequences. This will affect photographers and photography websites around the world.
