Being a photographer, whether a hobbyist or professional, is a complex endeavor in today’s world, and it can be easy to be sidetracked by a wide range of issues or red herrings. If you sometimes find yourself struggling with that, check out this important video that is a useful reminder of what matters in photography and what the real nature of progress is.
There are few videos I have clicked on faster than a drone filming itself crashing into a volcano in Iceland. This video shows a DJI first-person view drone as it records the rivers of lava flowing out of Fagradalsfjall before plummeting into a fiery death, all in glorious 4K.
If you’ve viewed deep-sky astrophotos (not landscape astrophotos), you may have noticed that extremely long exposures (not counting mosaics) are used. In extreme cases, exposures may run over 12 hours. Unless you have a space telescope, it should be obvious that multiple exposures have been used.
While there are dozens of options for filters, covering different effects, sizes, and manufacturers, I’ve found that I only need a few key filters for a landscape shoot. I like to use neutral density filters and circular polarizers, both of which are impactful and less easy to replicate in software. Haida’s NanoPro line has delivered great results in my past experience — can their magnetic filter line deliver the same quality?
Australian photographer Rob Walwyn is hosting the first exhibition of his project ‘Karrikins’ as part of Sydney’s Head On Photo Festival. Karrikins documents the aftermath of the bushfires that devastated Australia’s east coast in late 2019 and early 2020. What makes Walwyn’s images even more stunning is his use of Kodak’s discontinued false-color infrared film Aerochrome.
Landscape photography brings us to the most beautiful places all over the world and there are so many of them out there, that it is impossible to visit them all in one lifetime. There is no obvious reason to return to places we have visited already, but as a pro landscape photographer with more than 30 years of experience, I do it again and again, returning to places for photography.
A wildlife photographer must be prepared to wait hours for a shot to emerge. And once that shot appears, she may only have one second in which to capture the scene before it changes. Making things more complicated are the dozens of variables that can affect the quality of the shot, including weather, erratic animal behavior, and even other photographers working in the same location.
Suzanne Phoenix is a photographer and artist based in Melbourne, Australia. Her work is primarily portrait based, with a focus on developing and fostering community. We had an opportunity to connect and talk about the importance of relationships and consent in the photography world.
