Let me rewind the clock by a decade: it’s the tail end of 2012, and the NYPD was in the process of clearing out Zuccotti Park in Lower Manhattan. Over the last year, Occupy Wall Street had been picking up steam, with an encampment filling the better part of the park and protests regularly spilling out into the streets.
For Fujifilm GF shooters, the GF 45mm f/2.8 R WR lens offers an equivalent focal length of about 35mm along with a wide maximum aperture, making it perfect for a wide variety of scenarios. This excellent video review takes a look at the lens and the kind of performance and image quality you can expect from it in real-world usage.
Fujifilm’s GFX series rewrote the rules on medium format, bringing it to the price level of upper-level full frame options and opening an entirely new format to many photographers. The GFX 100S continues that, bringing a top-shelf sensor and capabilities at a price ($5,999) that is about as aggressive as you will see in any camera. As such, it is an intriguing option for wedding photographers. This great video takes a look at the camera and if it can keep up with the demands of the genre.
Fujifilm’s GFX series of mirrorless cameras have made medium format more affordable and accessible than ever, but lenses for the GF mount remain fairly expensive. That is why, at $999, the Venus Optics Laowa 19mm f/2.8 Zero-D is a particularly intriguing option, especially when paired with its extra-wide focal length and maximum aperture. This excellent video review takes a look at the new lens and the sort of performance and image quality you can expect from it in practice.
There are essentially three types of modern cameras: DSLRs, mirrorless bodies, and rangefinders. There are a few other formats that mostly fell by the wayside, however, as time marched on, such as the zone focus camera and the TLR. This neat video takes a look at using a TLR, including its unique experience and images.
