There are areas of photography that are revered by many photographers, two of them are medium format and Polaroid. However, combining the two has become tremendously expensive in recent years. Perhaps now there’s a solution.
Fujifilm’s GFX line of mirrorless cameras turned the paradigm of medium format on its head by making it far more affordable, so much so that it has become a viable alternative to full frame, particularly for people like portrait, wedding, and landscape photographers. If you are interested in the camera for your work, check out this fantastic video review that discusses one photographer’s thoughts on the camera after using it for landscape work for a year.
There are a lot of high-resolution full frame cameras available nowadays, and they all offer quite well-rounded feature sets and image quality. Which one is right for you? This fantastic video review takes a look at the four of the most impressive and modern options out there and how they compare to each other.
Avoiding converging lines and keystone distortion with a wide angle lens can be tricky, which is why a shift function can be so useful. This great video review takes a look at the Venus Optics Laowa 15mm f/4.5 Zero-D Shift and the sort of image quality you can expect from it in practice.
The film community is a pretty friendly place. I’ve made a lot of good mates all over the world since launching my film photography podcast, “Matt Loves Cameras,” three years ago.
Fujifilm’s GFX line of medium format mirrorless cameras rewrote medium format’s role in the industry, taking it from a niche tool used by a few studios and rental houses and making it a viable alternative to full frame bodies, particularly for landscape, wedding, and portrait photographers. If you are curious about the camera for landscape work, check out this great video review that discusses the performance and image quality you can expect from it in practice.