A few years back I wrote a lifetime review on the Canon EOS 5D II. Since then I upgraded to the Canon EOS 5ds and 5DS R cameras, 5 years down the line I thought it apt to have a detailed look at them.
A few years back I wrote a lifetime review on the Canon EOS 5D II. Since then I upgraded to the Canon EOS 5ds and 5DS R cameras, 5 years down the line I thought it apt to have a detailed look at them.
The Fujifilm GFX mirrorless camera series has rewritten a lot of industry paradigms, bringing medium format to the market at prices that compete with upper-level full frame options, making it a tempting choice for landscape photographers. This great video follows a professional landscape photographer as he uses the camera in the field and shows you the experience with and image quality from it.
Fujifilm’s series of GFX medium format mirrorless cameras took the industry by storm by creating medium format mirrorless cameras with modern features normally reserved for systems will smaller sensors and offering them at highly competitive prices. This excellent video review takes a look at one member of that series, the GFX 50S II, and the sort of performance and image quality you can expect from it in practice.
The Hasselblad X1D 50C and X1D II 50C helped to redefine the paradigm of medium format, putting a large sensor inside a sleek, small body. Now, the X2D 100C is here, and not only does it double the resolution of its predecessors, it brings with it a bevy of impressive improvements and new features. In this review, we take a look at the camera and what you can expect.
Medium format used to be something that was reserved only for rental houses and a few lucky photographers, but in the last few years, we have seen some medium format options come down in price quite significantly, though they still sit at the upper end of the price spectrum. So, is it worth shelling out extra for that larger sensor? This interesting video compares a modern full frame and modern medium format camera to find out.
Olympus has been assigning the Zuiko name to its range of high-quality lenses since 1936. Zuiko-branded lenses were made for SLR, rangefinder, and automatic point-and-shoot cameras in medium format, 35mm, and even half-frame formats. Assessing the best of anything in photography leads to vivid debate and lots of room for subjectivity. Here are my 5 reasons why I believe Olympus knocked it out of the park with their Zuiko range, and when you look at all factors are the best film lenses ever made. Be sure to leave a comment to let me know your thoughts.