While many pros working in studios will use complex multi-light setups for portraits, when you are shooting on location, it is often much better to employ a single light that allows you to be a bit more nimble. And with a bit of lighting savvy, you can still create fantastic professional-level portraits. This great video tutorial will show five easy one-light setups sure to help you make compelling images.
The recent addition of an astrophoto time-lapse mode (uncovered by XDA Developers) coming to Google’s camera app on their Pixel line of phones piqued my interest. Not that I think it will replace all of our “real” cameras, but I do have a deep appreciation for the engineering wizardry required to push right up to the physical limits of a tiny sensor and lens. And as an astronomy enthusiast, any developments that might open an appreciation of the night skies to a wider population get me very interested.
If you’ve viewed deep-sky astrophotos (not landscape astrophotos), you may have noticed that extremely long exposures (not counting mosaics) are used. In extreme cases, exposures may run over 12 hours. Unless you have a space telescope, it should be obvious that multiple exposures have been used.
Videography has become more demanding than ever before in terms of expected quality. While much of this difficulty is found behind the camera, on location, your edit makes up a large part of it too. In this video, find out how one videographer makes his videos pop in the post-production phase.
The recent press about an upcoming Nikon camera — denoted the “N2014” — highlighted a government registration filing that suggests it will be “equipped with Wi-Fi, Bluetooth, and Global Navigation Satellite System (GNSS).” This has been a positive media development for Nikon as, if correct, it would make them the first camera manufacturer to integrate GNSS into one of their products. Is the camera industry being disingenuous by their slow adoption of existing technologies?
Over the past six weeks, I’ve photographed more sunsets than I can count along the coast. As someone who primarily shoots on land, I had a lot to learn about shooting the sea and have put together a few of the most important lessons I came away with for your next seascape location.
I’ve been covering the Coney Island Polar Bear Plunge like clockwork for well over a decade now, and I think it’s fair to say that I’ve picked up a few useful habits along the way. For those unfamiliar with the event, imagine several hundred folks in various stages of near-nudity packed into a corner of the beach. It’s typically rather cold – though some years have been colder than others – and everyone’s working themselves up into a fevered lather. In this excitement, a drum team forms up, creating a corridor from the top of the beach to the ocean. As the sound of those instruments gets louder and faster and more aggressive, the signal is sounded and the mob stampedes towards the Atlantic.
