A little different from the last handful of episodes, Nathan Elson’s How I Got the Shot, Episode 7, moves into a darker-toned portrait set marked by its emphasis on moody overhead lighting.
“I only shoot natural light. I’m a natural light photographer.” I can’t even begin to count how many times I’ve heard some variation of this statement. It doesn’t get any less silly each time I hear it, though. Why would anyone want to box themselves into doing only one thing?
I shoot solely raw. However, I know some tremendous photographers whose cameras are set to record just JPEGs, and they will never change. I am envious because they spend less time in front of the computer. Shooting raw is worth learning, but maybe there’s also a good reason to shun it.
Original, innovative photography is hard to find. However, Ethan Beckler has excelled. He leads the way in macro photography, pushing camera and lens technology beyond normal limits and creating astounding art at the same time. With great generosity, he shares his techniques with us.
If you look at the work of top photographers, you might be fooled into thinking that the only way to create professional images is through the use of complex setups with several lights. However, you might be pleased and surprised to discover that you can create compelling portraits with just a single light, and this fantastic video tutorial will show you everything you need to know.
A one-light portrait setup may seem simple, but it needn’t be. There are so many different ways to manipulate artificial light that even if you limit yourself to just one, you can create a plethora of different, interesting looks. Here are twenty-one different lighting setups for you to try.