Lightroom was one of the first serious photo-editing tools I used when I was getting started with photography, and it’s still a mainstay of my editing workflow. Whether you’re new to Lightroom or a veteran user, there are several unique considerations of the software: some are quirks of the program, while others are more recent changes that can impact your established workflow.
Calling raw handling software a “Lightroom Killer” is a cliche. Nevertheless, this powerful suite of tools is starting to overshadow the Adobe Photographer’s Plan. It is now posing a real challenge to Lightroom and Photoshop. ON1 Photo Raw has another update, and now it offers everything most photographers need. It’s why I’ve said goodbye to Lightroom and Photoshop. Will it tempt you too?
Topaz Labs Photo AI has been officially released, so take a look here to see what it is, how to use it, and how well it sharpens a blurry photograph.
Lightroom has evolved into a tremendously versatile and powerful program, capable of tackling many things that one used to have to switch to Photoshop for. Nonetheless, there is always room to grow. This great video essay features a seasoned Lightroom educator discussing five things he would still like to see Adobe add to the program.
Adobe isn’t the first software manufacturer to bring us AI-powered upscaling, but being able to increase the resolution of raw files suddenly makes the Sony a7S III arguably the best-value hybrid camera on the market, giving you a massive 48 megapixels. Is it too good to be true?
I shoot solely raw. However, I know some tremendous photographers whose cameras are set to record just JPEGs, and they will never change. I am envious because they spend less time in front of the computer. Shooting raw is worth learning, but maybe there’s also a good reason to shun it.
