Photographers generally avoid on-camera flash whenever they can, but there are situations in which you will not have another option. For those situations, there are certain things you can do to make the light look more natural, and this helpful video tutorial will show you what they are.
In an industry where every day seemingly brings the announcement of a new camera system promising to up your photography game while simultaneously depleting your bank account, it can be hard to know what is really worth the investment. So today, I’ll have a quick look at three areas where I’ve found you almost always get an appropriate level of bang for your buck.
Portrait photography takes the combination of technical skills with your camera, lighting knowledge, the ability to work with subjects, and strong editing skills to make a compelling final image, meaning a lot to learn for the new photographer. If you are just starting out, this excellent video tutorial features five helpful tips that will help you get on the right track to becoming proficient.
Manual mode is often held up as the mark of a professional photographer, and while it is definitely something every photographer should master, that does not mean it is the best choice for every situation. So, how do you know which mode to use? This quick and helpful video discusses what you need to know.
Sometimes, we’re hampered by malfunctioning gear or we just can’t afford to invest in a second speedlight, so it’s imperative that we learn how to make do with what we have. Creating an evenly lit, bright, and airy portrait with just one speedlight might seem like too much to ask, but not if you have a few grips and some reflective material at hand.
We Are Lady Parts, the story of an all-Muslim-female punk band in London, is a groundbreaking collaboration between creator Nida Manzoor and cinematographer Diana Olifirova. Not only is the plot compelling and refreshing, but Olifirova and Manzoor also use a variety of filmmaking techniques to develop character, move the story along, and visually excite their audience. I had a chance to speak with Olifirova about putting Manzoor’s project on screen.
