Canon’s RF lenses have been mostly both spectacular and expensive, which is what makes the RF 16mm f/2.8 STM rather unique, as it comes in at an impressively affordable price and is quite portable on top of that. This excellent video review takes a look at the lens and the kind of performance and image quality you can expect from it in practice.
In the first part of this series of two, I introduced bokeh — out-of-focus areas — and outlined the main controls of defocus. These include sensor size, focal length, aperture, distance to subject, and distance to the backdrop. How, then, do you compare defocus between lenses and cameras? Read on.
50mm lenses are a peculiar bunch, as you can spend anywhere from under $100 to well over $2,000 depending on the sort of parameters, performance, and image quality you are looking for. Canon, Nikon, and Sony all make 50mm f/1.2 lenses as their premium options, and this excellent video comparison takes a look at all three to see which comes out on top.
It has only been a week since news of exciting Canon lens patents came out, and here we are again with another set of ridiculous lenses emerging from the company. This time, it is for a set of superzooms that stretch beyond the limits of most such lenses we have seen in the past.
Sigma has produced some impressively advanced and innovative lenses in the last few years, and as the mirrorless race continues to heat up, the company seems to be showing no signs of slowing down. A few new patents have emerged, and some of them show some very interesting lenses.
Sigma has finally arrived on the Fujifilm X mount, and it has photographers excited at the prospect of using the company’s popular lenses that are well known for providing excellent image quality at impressively competitive prices. One such example is the affordable 30mm f/1.4 DC DN Contemporary, and this fantastic video review compares it to the XF 33mm f/1.4 R LM WR to see which provides better performance and image quality.
A 35mm lens with a wide aperture has long been one of the most popular options for both photography and filmmaking, offering a wide but relatively neutral focal length that can cover everything from portraits to landscapes. There are a lot of 35mm lenses available to choose from, and this excellent video review takes a look at one of the most affordable options, the Viltrox 35mm f/1.8 AF.
Sony’s E PZ 10-20mm f/4 G is one of the newest lenses from the company, and even though it comes in a portable package and does not cost that much compared to comparable options, it packs in it a lot of nifty features for photographers and filmmakers alike. This excellent video review takes a look at the lens and the sort of performance and image quality you can expect from it in practice.
A few years ago, a small Hong Kong-based company called Megadap raised some eyebrows when they announced their newest product, the MTZ11, which allowed Leica M mount lenses (along with a host of other manual-focus mounts when used with adapters) to be used with the Nikon Z body with autofocus.
The 50mm lens is one of the most common lenses out there, and yet, it can be a weirdly challenging one to use. Why is it so difficult to master, and how can you create better photos with one? This excellent video takes a look at the 50mm lens, why it is tough to work with, and what you can do to improve your shots.