Canon started out slowly in the mirrorless space, but they exploded forward with the release of the EOS R5 and RF 28-70mm f/2L USM, showing they could go toe to toe in specs and that they had no intention of relinquishing their crown for creating some of the most extreme and innovative lenses. It looks like the company won’t be letting off the gas, with more cameras likely to come later this year.
Canon took a bit of time to really hit the gas when it came to professional mirrorless cameras and lenses, but once the EOS R5 and RF 28-70mm f/2 L USM hit the market, the company started running and has not looked back since. Now that the company (and third parties) have a wide variety of cameras and lenses available, knowing what is right for you can be a little tricky. This great video buying guide will help you navigate the world of Canon mirrorless gear to find the best choices for your work.
100-400mm zoom lenses are some of the most popular out there, offering a highly versatile focal length range suitable for just about everything from wildlife photography to sports and more. There are many versions of such lenses at a wide range of prices, with the Canon RF 100-400mm f/5.6-8 IS USM sitting at the budget end of things, and this excellent video review takes a look at the sort of performance and image quality you can expect from it in real-world usage.
When you think of landscape photography, you probably think of using a lens with a wider focal length range, such as a 16-35mm. Of course, there is a reason such lenses are so widely used, but they are not the only option. In fact, much longer focal lengths can create equally compelling photos. This excellent video tutorial will show why a telephoto zoom lens can help you create eye-catching landscape photos.
A key component for many street photographers is context in a scene. To many, an image without space in the frame for the setting may be considered as a portrait and not belonging to any particular genre or style. Street photographers are so focused on context they gravitate towards rangefinders that let you see outside the frame. This commonly held approach to street photography lends itself to the ubiquitous use of wide angle lenses.
Recently, Canon banned the production and sales of some third-party lenses for its RF mount cameras. Many photography enthusiasts bemoaned the decision and claimed Canon would lose out because of it. Now that Canon has confirmed the prohibition, what does the future look like for its RF mount cameras and lenses?
While Canon initially focused on full frame cameras and lenses with the RF mount, the release of cameras like the EOS R7 and EOS R10 and associated RF-S lenses has shown that the company also intends to develop APS-C options in tandem with the full frame line. For those APS-C cameras, there are two relatively new lens options, the RF-S 18-150mm f/3.5-6.3 IS STM and RF-S 18-45mm f/4.5-6.3 IS STM. Which one is right for you? This excellent video comparison will help you pick.
24mm lenses with wide maximum apertures are prized by many creatives for their versatility, as they are at home in a wide range of genres and applications. The Canon RF 24mm f/1.8 Macro IS STM builds on that flexibility by adding macro capabilities and image stabilization to the equation, making it quite the intriguing lens for a lot of users. This great video review takes a look at the lens and the sort of performance and image quality you can expect from it in practice.
