Siddharth “Sid” Mantri is a landscape photographer currently based in Spain. His unique voice leads him to find smaller moments of a narrative within large landscapes. He creates images that aren’t just swathes of landscape, but rather elements within a landscape that unequivocally act as a subject within a scene.
A supertelephoto zoom lens is tremendously useful in a wide variety of genres, and in recent years, we have seen an influx of affordable, high-quality third-party options from companies like Sigma and Tamron. Tamron’s latest is the 150-500mm f/5-6.7 Di III VXD, and this excellent video review takes a look at the lens and how it compares to a native Sony option, the FE 200-600mm f/5.6-6.3 G OSS.
It’s the camera manufacturer that documented the moon landing. Its build quality and design are one thing, but the images it takes with its Sony sensor and lenses are truly one of a kind. In this video, Business Insider breaks down why it’s so expensive, and gives a rough estimate of how many they sell each year.
Announced back in June, Nikon’s first macro lenses for the Z mount appeared to be typical successors to their F mount predecessors, covering 50mm and 100mm focal lengths. The Z 105mm, as before, is a more premium choice, offering a few more features and a more choice designation. I’ve finally gotten my hands on one, and after some thorough testing, I’m ready to share my thoughts on this recent entry to the Z lineup. Whether you’re a macro specialist or Z photographer, you’ll want to check out this review.
Tamron has turned quite a few heads in the past few years by offering lenses that significantly undercut the prices of first-party options while still offering impressive performance and image quality. One such lens is the new 35-150mm f/2-2.8 Di III VXD, and this great video review takes a look at what you can expect from it in practice.
