When it comes to supertelephoto zoom lenses, Canon mirrorless shooters have two options, the RF 100-500mm f/4.5-7.1 L IS USM and the RF 100-400mm f/5.6-8 IS USM. With different prices and feature sets, these two lenses fill different needs, and this helpful video comparison will help you choose the right option for your work.
The Venus Optics Laowa 24mm f/14 Probe lens captured the photography world’s attention by being one of the most unique lenses we have ever seen and allowing photographers and filmmakers to get shots that simply would not be possible otherwise. The new Laowa 24mm T14 2x PeriProbe ups the ante over the original, and this neat video takes a look at what you can do with it.
When we think about photoshoot essentials, we often picture the big, exciting pieces of equipment:the camera, the lenses, the light, the modifiers. However, today, I’m sharing the unsung heroes in my kit. Here are five small, inexpensive, but essential bits of kit for styling product photography photos.
Canon has been aggressively filling out their RF mirrorless lens lineup, but there are still a fair number of missing options. It looks like the company will be turning their attention to wide angle options next, with four L Series professional primes likely to be released in the next year.
Tamron has continued to establish themselves as a company that creates both lenses that make smart compromises to get to affordable price points and others that push the boundaries of design. The new 20-40mm f/2.8 Di III VXD is quite the interesting option, sitting somewhere between a wide angle zoom and a standard zoom. This great video review takes a look at the new lens and the sort of performance and image quality you can expect from it in practice.
Laowa now has a total of six lenses with an aperture of f/0.95, so how useful is it to have this aperture, and what are the results? As a landscape photographer mainly, this maximum aperture is something I had never really considered, although I do understand the usefulness of such an aperture for different types of photography, especially in low light and video. So, how does the lens perform throughout the apertures, and does it have the ability to provide results that are in line with or better than similar lenses in this price range? I tested it to find out.
Samyang has established themselves as a creator of very competitively priced lenses that still offer impressive image quality. After a few years of building out their autofocus lineup, portrait photographers now have the choice between the AF 75mm f/1.8 FE and AF 85mm f/1.4 FE II. So, which is right for your work? This excellent video comparison will help you choose the right one for you.
The Sigma 18-50mm f/2.8 DC DN Contemporary Lens is the new addition to the Sigma range for Fuji X Mount to accompany their three existing contemporary f/1.4 prime lenses. So how does this lens fair when it comes to image quality, value for money, and useability? We test it to find out.
