From novelty to must-have, the phone camera has brought serious photography tools to everyday life.
Announced back in June, Nikon’s first macro lenses for the Z mount appeared to be typical successors to their F mount predecessors, covering 50mm and 100mm focal lengths. The Z 105mm, as before, is a more premium choice, offering a few more features and a more choice designation. I’ve finally gotten my hands on one, and after some thorough testing, I’m ready to share my thoughts on this recent entry to the Z lineup. Whether you’re a macro specialist or Z photographer, you’ll want to check out this review.
Tamron has turned quite a few heads in the past few years by offering lenses that significantly undercut the prices of first-party options while still offering impressive performance and image quality. One such lens is the new 35-150mm f/2-2.8 Di III VXD, and this great video review takes a look at what you can expect from it in practice.
Few lenses are more classic than a wide-aperture 85mm, which is often the preferred choice of portrait photographers. Nonetheless, a good 85mm lens can be awfully expensive. There are some quite affordable options out there as well, with one such example being the Viltrox AF 85mm f/1.8, and this excellent video review takes a look at the image quality and performance you can expect from it in practice.
400mm f/2.8 lenses are one of the standard pieces of gear for professional sports and wildlife photographers, and given their extreme designs, they often contain some of the best technology and features a company can offer. The new Nikon NIKKOR Z 400mm f/2.8 TC VR S lens is no stranger to that trend, and this great video review takes a look at if it can keep up with the demands of 45-megapixel images and 8K video.
One of the best parts of the Micro Four Thirds system is the wide selection of sharp but quite portable lenses, and if you do not need a particularly wide aperture, the OM SYSTEM M.Zuiko Digital ED 40-150mm f/4 PRO is especially compact and light while also not breaking the bank. This excellent video review takes a look at the lens and the sort of performance and image quality you can expect from it in practice.
The Canon RF 50mm f/1.2L USM lens was one of the first made for the company’s full frame mirrorless mount, and it put the photography world on notice by showing Canon was committing to a new standard of image quality in their RF lenses, a standard that has been upheld in many of their lenses released in the last few years. This great video review talks about the lens’ performance and image quality after three years and almost 70,000 photos and if it is worth the premium price.