Mirrorless hasn’t only won the battle, it’s won the war. Last year — 2020 — was a landmark as more mirrorless cameras were shipped than DSLRs. It is the primary design choice for manufacturers and is therefore the future of the camera. However, the future of photography undoubtedly lies with the smartphone.
We Are Lady Parts, the story of an all-Muslim-female punk band in London, is a groundbreaking collaboration between creator Nida Manzoor and cinematographer Diana Olifirova. Not only is the plot compelling and refreshing, but Olifirova and Manzoor also use a variety of filmmaking techniques to develop character, move the story along, and visually excite their audience. I had a chance to speak with Olifirova about putting Manzoor’s project on screen.
One of the most commercially successful lenses in recent years was the Tamron 28-75mm f/2.8 Di III RXD, which offered an impressive blend of performance, image quality, and portability all at a very affordable price, particularly when compared to other 24-70mm f/2.8 options. The second iteration of the lens is here, and it brings with it a range of improvements. This great video review takes a look at the lens and the kind of image quality and performance you can expect from it in the real world.
One of the most standard professional lenses for a wide range of genres is the 70-200mm f/2.8, but such lenses are almost always expensive and bulky. In recent years, we have seen a rise in 70-200mm f/4 lenses as alternatives for those who want the versatility of those focal lengths but who do not need the extra stop of aperture. Canon shooters have options in both camps, so which is right for your work? This helpful video comparison takes a look.
An 85mm lens with a wide aperture is one of the most popular choices among photographers, offering the classic focal length for portraits paired with narrow depth of field and a lot of bokeh. Such lenses can run quite high in price, however, sometimes well over $2,000. The Tokina atx-m 85mm f/1.8 FE comes in at a significantly lower price, and this great video review takes a look at the sort of performance and image quality you can expect from it in practice.
50mm f/0.95 lens options have exploded in the last few years, all offering an ultra-wide aperture at a versatile focal length in an affordable manual focus design. So, which of the options is best? This excellent video comparison takes a look at four of them: the Mitakon Zhongyi Speedmaster 50mm f/0.95 III, TTArtisan 50mm f/0.95, Brightin Star 50mm f/0.95, and the Venus Optics Laowa Argus 45mm f/0.95.
