With the release of cameras like the EOS R7 and EOS R10, Canon has shown they are interested in developing APS-C mirrorless cameras alongside their full frame mirrorless line. In tandem with that, we have seen the introduction of RF-S lenses specifically designed for the APS-C format. This excellent video review takes a look at one such lens, the Canon RF-S 18-150mm f/3.5-6.3 IS STM, and the sort of performance and image quality you can expect from it in practice.
lenses
Can the Samyang AF 85mm f/1.4 FE II Compete With Much More Expensive Lenses?
85mm lenses with wide maximum apertures are wildly popular for portraiture work, offering a classical focal length in tandem with that shallow depth of field that a lot of photographers love. However, such lenses can easily run north of $2,000, which is what makes the Samyang AF 85mm f/1.4 FE II, which retails for $799, a breath of fresh air. Can it compete with lenses that cost double or even triple that amount? This excellent video review takes a look at the performance and image quality you can expect.
Creative Thinking With the Extreme Laowa 25mm f/2.8 2.5-5X Ultra Macro Lens
The past few years, Venus Optics has been making great strides in affordable, niche lenses. In this video, photographer Markus Hofstätter shares his experience with the Laowa 25mm f/2.8 2.5-5X Ultra Macro lens.
Is the Portable Canon RF 16mm f/2.8 STM Lens the Best Wide Angle for APS-C Cameras?
Canon’s RF lenses have received a lot of acclaim for their high performance and image quality and boundary-pushing designs, but with all those things come high price tags. At $299, the RF 16mm f/2.8 STM is a breath of fresh air, and on an APS-C camera, its 26mm equivalent focal length makes it a potentially interesting option for a variety of needs. This great video review takes a look at the lens on the EOS R7 and if it can provide the performance and image quality you need.
A Deep Look at the New Sigma 60-600mm f/4.5-6.3 DG DN OS Sports Lens
The new Sigma 60-600mm f/4.5-6.3 DG DN OS Sports lens is one of the company’s most versatile lenses yet, covering everything from normal to supertelephoto focal lengths and promising to do so with great performance and image quality, making it a potentially fantastic option for sports photography, wildlife work, and more. Can it live up to its potential? This excellent video review takes a look at everything you can expect.
A Review of the Sony FE 70-200mm f/2.8 GM OSS II Lens
The 70-200mm f/2.8 lens is one of the classic workhorses in countless photographers bags, suitable for a huge range of genres and scenarios. As such, you can often expect top-shelf performance out of professional 70-200mm f/2.8 lenses. For Sony shooters, there is the FE 70-200mm f/2.8 GM OSS II, and this excellent video review takes a quick look at the image quality and performance you can expect from it in usage.
The Best Budget Sony E Mount Lenses for Wedding Photographers
It used to be that wedding photographers had to carry expensive top-level optics in order to ensure they could reliably deliver professional shots. However, in recent years, third-party and mid-tier lenses have made remarkable steps forward, and it is now possible to save both your back and your bank account by purchasing more modest options and still be able to deliver excellent images. This excellent video discusses some of the best options out there for Sony users.
Are You Overlooking Superzoom Lenses for Landscape Photography?
Superzoom lenses can be useful in that they cover a huge range of focal lengths without the extra weight and bulk from carrying a bag with lots of more specialized lenses. For landscape photographers, they can be especially useful, and this great video discusses why you should consider adding on to your arsenal.
A Look at the Uniquely Useful Canon Drop-in Filter Adapter
One of the most annoying aspects of using front-mounted circular filters is that there are many different common sizes, which can quickly add up in cost and make you carry around a bag with a bunch of different filters. Canon’s unique Drop-In Filter EF-EOS R Mount Adapter solves that issue, allowing you to use a single ND or polarizing filter with any EF lens. This excellent video review takes a look at how it holds up in the real world.
What Should You Look for in a Pro Camera?
You have carefully perfected your technique, you have developed a creative style, and you are ready to truly invest in a professional-level camera. How do you choose the right one for your work? Before you drop a significant amount of money on one, check out this fantastic video that details what you should be looking for in a professional camera.


















