Canon recently released a list of RF lenses that it cannot meet the demand for. Is this simply poor planning or a clear sign that its new lenses are exceeding expectations?
Landscape photography is somewhat synonymous with shooting large scenes with a wide angle lens, but what about more intimate landscapes? On a recent trip through Colorado, I found myself using a telephoto lens almost exclusively and came up with five tips that might help your try one out for yourself.
Supertelephoto zoom lenses are useful for a wide range of genres, including everything from sports and wildlife to landscapes. There are a lot of options out there, and this excellent video review takes a look at four of them, the Sigma 150-600mm f/5-6.3 DG DN OS Sport, Sony 200-600mm f/5.6-6.3 G OSS, Sony 100-400mm f/4.5-5.6 GM OSS, and Tamron 150-500mm f/5-6.7 Di III VC VXD.
Astrophotography has some specific and often more demanding requirements when it comes to lenses, and as such, it takes careful evaluation of potential options to know which is right for your work. For astrophotographers on a budget, there is the Viltrox 35mm f/1.8 AF, and this great video review takes a look at the sort of image quality and performance you can expect from it in practice.
A photograph is a two-dimensional representation of a three-dimensional thing, and as such, part of your job as a photographer is to render the frame in a way that brings depth back to the scene. This requires considering how you layer different parts of the frame, and this excellent video tutorial will show you how to work with one of those parts, the foreground.
I’m occasionally asked to recommend a camera to get into astrophotography. Of course, my first answer is to use the camera and lenses you already have. Beyond that, it’s difficult to recommend a specific brand and model because I don’t have every camera at my disposal, and we are blessed (cursed?) with a continuous stream of new and improved cameras. Here are some thoughts.
50mm lenses can cost anywhere from under $100 to well over $2,000, with options filling out that range at just about every price point. While those sub-$100 lenses are fantastic learning tools, eventually, you will probably want to upgrade to a higher-quality option. The Viltrox AF 50mm f/1.8 lens seems to hit the sweet spot between quality and price, and this great video review takes a look at the lens and the sort of performance and image quality you can expect from it in practice.
Sony creates some of the most advanced cameras and lenses in the world, and if money is no object, you can put together a kit that can tackle just about any photo or video situation you could possibly throw at it. There are a lot of options out there, though, so if you are wondering where to start, check out this helpful video guide that will show you some of the best choices in the Sony full frame system.