100-400mm zoom lenses are some of the most popular out there, offering a versatile focal length range that can tackle a wide range of scenarios including everything from sports to wildlife photography and more. The Canon RF 100-400mm f/5.6-8 IS USM is one of the more affordable options among such lenses, though it still offers some impressive performance and features, and this excellent video review takes a look at just what you can expect from it in practice.
Fujifilm’s X-H2S has been receiving most of the attention the last few days, but along with it, Fuji released a few compelling lenses, the XF 150-600mm f/5.6-8 R LM OIS WR and the XF 18-120mm f/4 R LM PZ WR. The latter lens offers a very versatile focal length range along with some useful features, and this great video review takes a look at the image quality and performance you can expect from it.
Modern cameras and lenses offer remarkably good image quality — levels that were only dreamed of even just a decade ago. And with those increased capabilities have come increased standards and expectations. But at this point, how much image quality do we really need? This interesting video poses the question and examines a scenario where getting the shot might take precedence.
The 24-70mm f/2.8 lens is the workhorse you will find in a ton of photographers’ bags, as it provides a useful zoom range in tandem with a wide maximum aperture. That being said, such lenses are generally rather expensive. If you do not need that wide aperture, you can save a lot of money and get more reach by opting for a lens like the NIKKOR Z 24-120mm f/4 S. This great video review takes a look at the lens and the sort of performance and image quality you can expect from it in practice.
50mm lenses are some of the most popular and versatile options out there, able to tackle a wide range of scenarios with ease. They are available at prices ranging from below $100 to well over $2,000. At $598, the Sony FE 50mm f/2.5 G sits in the middle of all that. So, does it offer premium image quality and performance for that mid-range price? This excellent video review takes a look at the 50mm f/2.5 to answer that question.
Landscape photography typically defaults to using wide angle lenses, but telephoto lenses can be an equally powerful tool. However, telephotos lenses come with their own traps and pitfalls as well. This excellent video tutorial features an experienced landscape photographer discussing some of the most common mistakes made with telephoto lenses and how to fix or avoid them.
Photographers often look down on superzoom lenses, viewing them as too much of a compromise in image quality for the convenience they offer. However, they offer more than convenience, and with advances in image quality in recent years, they are much more viable than in the past. This great video essay discusses some of the reasons why you should consider adding one to your kit.
Tamron has established itself as a manufacturer of both practical and competitively priced lenses as well as options that push the boundaries of lens design. The 70-300mm f/4.5-6.3 Di III RXD offers Nikon Z mirrorless users a versatile focal length range for an array of applications, and this excellent video review takes a look at the sort of performance and image quality you can expect from it in usage.
50mm f/1.4 lenses are both highly versatile and highly popular, able to take a wide range of needs and scenarios, including portraits, weddings, landscapes, and much more. As such, almost every manufacturer makes at least one 50mm lens. The Sigma 50mm f/1.4 DG DN Art to the Sony FE 50mm f/1.4 GM are both new to the market and promise high levels of performance and image quality, and this excellent video review compares both to help you choose the right for your needs.
