Fall tends to be a “transitional” season for the astrophotographer. Summer constellations are still visible for early evening, but are quickly fading into the sunset. Late in the evening, some of the prominent Winter constellations are starting to come into view. In a few months these winter constellations will be high in the sky and well placed for astrophotography, so now is the time to do some planning.
Professional wide angle zoom lenses tend to have apertures of f/2.8, but for photographers who do not need that extra light-gathering power, choosing an f/4 zoom can mean significant savings in both weight and cost (and sometimes other gains). For Canon shooters, there is the RF 14-35mm f/4L IS USM, and this great video review takes a look at the kind of performance and image quality you can expect from it in practice.
A wide-aperture 50mm lens is one of the most versatile a photographer can have in their bag, suitable for everything from low-light events coverage to portraits. Samyang, well known for producing sharp manual focus lenses, has branched into autofocus lenses in recent years, and this great video review takes a look at the new AF 50mm f/1.4 EF II lens and the kind of image quality and performance you can expect from it in practice.
Once Canon brought the EOS R5 and RF 28-70mm f/2L USM to the market, they showed they were extremely serious about mirrorless innovation, and they have not looked back since. And it looks like they plan on keeping their foot on the gas, as more patents have emerged for interesting lens designs sure to please a lot of photographers.
Samyang, long known for producing highly affordable but sharp manual focus lenses, has expanded into autofocus offerings in recent years while still keeping their lineup at prices well below first-party options. The new AF 135mm f/1.8 FE offers a popular portrait focal length with a pleasingly wide maximum aperture, and this excellent video review takes a look at the sort of performance and image quality you can expect from it in practice.
I picked up a Fujifilm X-T4 about five months ago to use primarily as a backup camera and for street photography, video, and family use. Although I shoot with a Canon system in my studio, I fell in love with Fuji’s cameras years ago when I acquired an X-Pro1 and a few X lenses. In this article, I offer a friendly critique and some suggestions for Fuji to improve an already great camera system.
Canon’s supertelephoto prime lenses are some of the most extreme lenses out there in terms of image quality, performance, and yes, price. If you are able and willing to shell out for one, though, you can generally expect a superlative experience. So, what exactly does that $13,000 get you? This neat video takes a casual look at the Canon RF 600mm f/4 L IS USM lens to answer that question.
Canon’s EF 100mm f/2.8L Macro lens was one of the most respected lenses in the company’s lineup, offering 1:1 macro performance, impressively sharp rendering, a capable hybrid image stabilization system, and more, endearing it to anyone from macro photographers to portraitists and wedding photographers. Now, we have the RF 100mm f/2.8L Macro IS USM, which brings a variety of new features and improvements. This excellent video review takes a look at the new lens and the performance and image quality you can expect from it.
