Canon has just published its results for the second quarter of 2021 and it will make positive reading for the company’s shareholders.
For the longest time, my favorite lens on any camera system was a 35mm wide-aperture prime. The focal length forced me to get “in the action” for impactful portraits, yet it was wide enough to capture wide angle scenes. But a new lens has recently won my heart and assumed the top spot in my kit. In this video and article, I’ll be walking through a photoshoot while demonstrating why the Canon RF 28-70mm f/2 lens is my favorite lens of all time.
The Canon EF 100mm f/2.8L Macro IS USM was one of the most respected lenses in its DSLR line, offering top image quality, impressive image stabilization, and no-fuss autofocus, all at a very reasonable price that made it a top pick for wedding, macro, and portrait photographers. The new RF version promises a range of improvements and new features, and this excellent video review takes a look at if they are worth the price.
Tamron has reinvented itself in recent years, making smart compromises to create lenses that are highly practical but that do not break the bank. The 28-75mm f/2.8 Di III was a runaway hit for the company, offering impressive image quality and performance at a price that significantly undercut comparable options. The second generation of the lens is here, and this excellent video review takes a look at the performance and image quality you can expect from it in practice.
Perhaps no type of lens generates more admiration, envy, and fighting than a wide-aperture 85mm lens. As the classic portrait focal length, such lenses often carry their respective manufacturer’s best technology, offering that shallow depth of field and buttery bokeh so many photographers crave. This fantastic video takes a look at seven of the sharpest such lenses out there and which comes out on top.
Wide angle lenses are the standard choice for landscape photography, but they challenge the photographer to compose images in which a huge part of the scene is in the frame. This great video tutorial follows a photographer as he shoots with a super-wide angle lens and shows you how to compose with such a challenging focal length.
Fuji’s XF 56mm f/1.2 lens has been a highly popular portrait lens for quite a while, but Sigma lenses have finally arrived for Fujifilm shooters, with the 56mm f/1.4 DC DN being one of the initial offerings. At a little less than half the price the Fujifilm offering, it should certainly catch the attention of a lot of portrait and wedding photographers. This excellent video review compares both lenses to see if you should drop more money on the original or if you can save a bundle by going with the Sigma.