24mm lenses with wide apertures are some of the most versatile out there, offering a reasonably wide (though not overly so) focal length in tandem with a lot of light-gathering and subject-isolating power. The Canon RF 24mm f/1.8 Macro IS STM takes that versatility and adds in macro capabilities and image stabilization, making it quite the intriguing option. This excellent video review takes a look at the lens and the sort of performance and image quality you can expect from it in practice.
While the prices of lenses from many first-party manufacturers seem to stretch higher and higher, we have also seen an influx of affordable options from third-party makers. Some of these options have been astonishingly low in price while still turning in acceptable to even surprisingly good performance. One such lens is the TTArtisan 27mm f/2.8 for Fujifilm X Series cameras, and this great video review takes a look at the lens and the sort of performance and image quality you can expect from it in practice.
Canon’s L series lenses are legendary, known for rugged construction, reliable performance, and class-leading image quality. With all that comes high prices, however. Nonetheless, the L series has been around for over 30 years, and that means there are some gems from past years that cost a fraction of what the most current models do. This great video review takes a look at one such lens, the EF 20-35mm f/2.8L.
Sigma’s new 60-600mm f/4.5-6.3 DG DN OS Sports lens is potentially one of the most versatile lenses on the market right now, covering a massive focal length range that should be appealing to bird, sports, and wildlife photographers. Can it still offer the kind of image quality and performance we have come to expect from Sigma despite that extreme design? This excellent video review takes a look at everything you can expect from the lens.
Colin Prior and Joe Cornish are revered as two of the greatest British landscape photographers of all time, and their work has garnered a large following globally. This video series follows Colin and Joe as they embark on a journey through the Scottish Highlands, explore its stunning scenery, and capture its raw and untamed beauty through their lenses.
While the EOS R system and RF mount have proven quite successful, they actually were not the company’s first foray into the mirrorless market. That honor belongs to the EOS M system, but it seems (unsurprisingly) that the company is continuing to wind down those cameras and lenses to focus on the RF mount.
Canon and Sony have continued to produce incredible cameras and lenses for all kinds of photography. For portrait photography, wide aperture 85mm lenses are one of the popular options. The large and expensive 85mm f/1.4 lenses are great; however, over the last few years, f/1.8 primes are starting to become better options in some regards.
Sony recently announced the FE 50mm f/1.2 GM, a spectacular lens that pushes the boundaries of the E mount. It seems they are not slowing down, as we will likely see three more lenses next week.
