There used to be no contest in image quality between supertelephoto prime and zoom lenses. Zooms simply could not keep pace with primes, and if you wanted to create professional-level photos or work in demanding conditions, you had no choice but to shell out for a top-shelf prime. Supertelephoto zoom lenses have made tremendous progress in the last few years, however. So, do you still need to buy those ultra-expensive primes? This great video discusses the topic.
85mm lenses with wide maximum apertures are some of the most popular out there, particularly for portrait photographers, but they can also run well north of $2,000 for a good model. And so, at less than $200, the Meike 85mm f/1.8 is quite the intriguing lens, but do you get much at such a low price? This excellent video review takes a look at the lens and the sort of performance and image quality you can expect from it in practice.
35mm lenses with wide maximum apertures are some of the most popular and versatile out there, suitable for a huge range of applications, from events coverage to portraits, astrophotography, and more. The Voigtländer Nokton 35mm f/1.2 SE is quite an interesting alternative to many mainstream options, and this excellent video review takes a look at the lens and the sort of performance and image quality you can expect from it in practice.
In the past year, Fujifilm has been on a tear, releasing a wide range of powerful new cameras and versatile lenses. One such lens is the XF 18-120mm f/4 R LM PZ WR, which combines a do-it-all focal length range with a variable power zoom for filmmaking applications. This excellent video review takes a look at the 18-120mm f/4 and the sort of image quality and performance you can expect from it in practice.
50mm lenses with wide apertures are quite popular, offering a versatile focal length in tandem with a lot of light-gathering power and narrow depth of field for portrait work. At $399, the 7artisans Photoelectric 50mm f/1.05 looks quite intriguing, and this excellent video review takes a look at the lens and the performance and image quality you can expect from it in practice.
Canon has clamped down tightly on the RF mount, disallowing essentially any third-party lenses with autofocus. This has been to the dismay of many photographers who embraced lenses from companies like Sigma and Tamron, which often offered options that were either cheaper or simply not available from Canon itself. At least one company is still highly interested in the RF mount, as recently confirmed by Sigma’s CEO, Kazuto Yamaki.
Venus Optics has gained a reputation for producing unique and interesting lenses that allow photographers to explore the boundaries of their creativity. One of their newest lenses is the Laowa Argus 25mm f/0.95 APS-C APO, which offers a wide variety of APS-C users an ultra-wide aperture in tandem with a versatile and relatively neutral focal length. This great video review takes a look at the lens and the sort of image quality and performance you can expect from it in usage.
Canon has been quite aggressive in the development of RF mount lenses, releasing some extreme designs, such as the RF 28-70mm f/2 L USM and the RF 85mm f/1.2 L USM. They seem to have no intentions of slowing down, as another boundary-pushing design has emerged in a recent patent.
