For the past several years, the film community has seen a surprisingly strong revival that has brought with it some new film stocks, the return of old favorites, and unsustainable high prices.
It is the dream of many amateur photographers to be hired for celebrity photo shoots and high-status advertising gigs. What could be more exciting than photographing a famous singer in a large photo studio with stylists, digital techs, and assistants at your beck and call? Imagine how great it would be to see your photographs published on a magazine or album cover. Best of all, commercial jobs can pay well over $10,000 for a single day of work. Surely this is better than just photographing ordinary folk, right? Maybe not.
Have you ever seen the camera pan across the photographers during the World Cup and wondered: “How did they get that job? What is that lens they’re shooting with?” Well, Fstoppers, I have all the answers for you. I had the privilege to chat with Ammar Hassan, who covered not one, but four World Cup championships, and he was gracious to tell us all about what it’s like to photograph the world’s most watched sporting event.