Australian photographer Rob Walwyn is hosting the first exhibition of his project ‘Karrikins’ as part of Sydney’s Head On Photo Festival. Karrikins documents the aftermath of the bushfires that devastated Australia’s east coast in late 2019 and early 2020. What makes Walwyn’s images even more stunning is his use of Kodak’s discontinued false-color infrared film Aerochrome.
Imagine being tasked with photographing press events featuring some of the most famous people in the world, on a regular basis. Are you confident that you can come away with photographs as strong or better than those of your peers? Can you find the small, personal moments taking place in the chaos to create images that are unique? Christy Bowe is a photographer who has successfully accomplished these tasks for the past three decades.
While most photographers use a drone to create aerial images, sometimes, that isn’t enough. Sometimes, you want to soar like an eagle, going 50 mph over the sheer face of a mountaintop as you photograph. If that sounds like you, then let me share with you the story of Bernard Chen, paraglider and photographer extraordinaire.
Talk about a publishing faux pas. In an interview for Williams’ new venture fund, the NY Times mistakenly used an image of her sister, Venus. Covering Serena’s new $111 million fund, the article also referred to her as “Tennis Star” rather than using her name in its headline. In a tweet on March 2nd, Williams called out the NY Times.
Reduction of single-use plastic is increasingly on the minds of conscientious consumers, and the practice of shooting with physical film in preference to digital does bring with it considerations in the area. But fear not, Ikigai Film Lab is here to recycle, reuse, and repurpose, to put our anxiety at ease and help us keep shooting with a clearer conscience.
We all know Mark Mann from the close-up, soul-bearing portraits of what feels like every celebrity, public figure, and president in current times. Prolific seems a fitting word that should be permanently grafted to any discussion of the artist’s work. Today, however, we are getting to know Mark Mann in a way that you never have.
