Hot on the heels of the head of Instagram’s post about the future of the social media service are some takes about what this means for photographers.
Photographing the World Cup: An Interview With Ammar Hassan
Have you ever seen the camera pan across the photographers during the World Cup and wondered: “How did they get that job? What is that lens they’re shooting with?” Well, Fstoppers, I have all the answers for you. I had the privilege to chat with Ammar Hassan, who covered not one, but four World Cup championships, and he was gracious to tell us all about what it’s like to photograph the world’s most watched sporting event.
Shooting for the ‘Gram: What Wins, Usage or Composition?
I’ve been in the game for a little while, and along the way, there have been a few “new” things. New flashes, diffusers, scrims, softboxes, continuous light panels, LED wands, animated photos, cinemagraphs, mirrorless cameras, the list goes on and on, not to mention Photoshop and Lightroom, which update more often than I wash my sheets. But the one “new” I was not expecting to face was a new photography usage that has made me have to think anew about composition: Instagram.
Enlightening, Inspiring, and Offensive: Imaging USA 2023
I woke up enlightened, inspired, and in slight disbelief. I had been elevated by Simon Bailey, instructed by Lindsay Adler, photographed by Mark Mann, and chatted up by Peter Hurley. I had watched artificial intelligence write, cull, and edit; and I partied the night away with over 10,000 photographers. Was this every photographer’s fantasy dream played out in my sleep? No, it was my first trip to Imaging USA. In this article, I will recount my favorite notes and highlights from Imaging USA. Alas, it’s not all glam: I’ll also share about the closing keynote which left the crowd shocked and offended. Let’s review my first trip to Imaging USA.
