If you spend time on YouTube or Instagram, it can seem like professional landscape photographers are incapable of taking a bad photo, and it can be a bit discouraging. If you sometimes feel like that, it is well worth watching this video that takes you behind the scenes with a professional landscape photographer to give you a real look at the the process, including the mistakes along the way and the eventual successes.
One of the challenges for photographers who post online is learning to cultivate what we decide to post. When I was just getting started as a headshot photographer, I only had an occasional client, and the fact that I created a headshot at all was a huge accomplishment. Because of this, I would immediately post images from the session on my Instagram feed and website. As my clientele grew and I developed my own style, however, I realized that I needed to be much more selective in deciding why and when I post an image.
Original, innovative photography is hard to find. However, Ethan Beckler has excelled. He leads the way in macro photography, pushing camera and lens technology beyond normal limits and creating astounding art at the same time. With great generosity, he shares his techniques with us.
A few months ago, I reluctantly took the plunge into Instagram reels, like many other still photographers. My most popular reel by a wide margin was a joke comparing “amateurs” to “professionals.” And, although my point was not so much to make a distinction between two classes of photographers, but rather to comment on photographers’ common obsession with gear, sometimes at the expense of fundamentals, I touched a nerve with some people who took exception to what they saw as an insult to amateur photographers.
Somewhere between Allen Funt and season 245 of Survivor, reality television has become the most popular genre of television. We’ve seen a handful of photography-centered shows, but not nearly enough. Frankly, even I got tired of watching the drama of America’s Next Top Model just so I could watch 10 minutes of photography. Thanks to Rankin and the BBC, we’ve been giving something much better.
