Somewhere between Allen Funt and season 245 of Survivor, reality television has become the most popular genre of television. We’ve seen a handful of photography-centered shows, but not nearly enough. Frankly, even I got tired of watching the drama of America’s Next Top Model just so I could watch 10 minutes of photography. Thanks to Rankin and the BBC, we’ve been giving something much better.
This week, it’s been reported from several news outlets that OnlyFans, the popular premium subscription service known mostly for explicit content will be banning explicit content from October 1, 2021 forward. Why would they do this? What are they planning for the future? Could OnlyFans now become a better option for artists and photographers?
For the longest time, my favorite lens on any camera system was a 35mm wide-aperture prime. The focal length forced me to get “in the action” for impactful portraits, yet it was wide enough to capture wide angle scenes. But a new lens has recently won my heart and assumed the top spot in my kit. In this video and article, I’ll be walking through a photoshoot while demonstrating why the Canon RF 28-70mm f/2 lens is my favorite lens of all time.
While most photographers use a drone to create aerial images, sometimes, that isn’t enough. Sometimes, you want to soar like an eagle, going 50 mph over the sheer face of a mountaintop as you photograph. If that sounds like you, then let me share with you the story of Bernard Chen, paraglider and photographer extraordinaire.
If you look at the sort of landscape photos that tend to dominate the popular pages of Instagram and the like, they are often lit with warm, golden rays, augmented by dramatic skies, rich colors, and dramatic contrasts. And of course, those can be incredible images, but the conditions required to create them are often not present, and they are not the only compelling type of landscape photo. This excellent video shows you that you can create good landscape images no matter what the conditions you encounter.
Have you ever seen the camera pan across the photographers during the World Cup and wondered: “How did they get that job? What is that lens they’re shooting with?” Well, Fstoppers, I have all the answers for you. I had the privilege to chat with Ammar Hassan, who covered not one, but four World Cup championships, and he was gracious to tell us all about what it’s like to photograph the world’s most watched sporting event.
