In the history of visual art, few figures loom as large as Rembrandt. His influence on photography is so great that “Rembrandt lighting” has become a staple method for portraiture. But Rembrandt Lighting is often a poor choice for photographing women, especially when working with corporate clients.
The recent addition of an astrophoto time-lapse mode (uncovered by XDA Developers) coming to Google’s camera app on their Pixel line of phones piqued my interest. Not that I think it will replace all of our “real” cameras, but I do have a deep appreciation for the engineering wizardry required to push right up to the physical limits of a tiny sensor and lens. And as an astronomy enthusiast, any developments that might open an appreciation of the night skies to a wider population get me very interested.
Nikon quietly — or maybe not so quietly given the press — announced the demise of the innocuously named Coolpix B600, a product name that just trips off the tongue and screams cheap and cheerful. What is startling about this camera is that it only hit the market in December 2020. Some eight months later it has bitten the dust. Why is this and what does it say about the camera market?
The rule of thirds is the first thing that is taught about composition in photography. It seems to have some similarities with the golden ratio, but in reality, it’s something completely different. Let’s have a closer look at the history of these so-called rules to get a better understanding.
25 years ago, Sony unveiled the DSC-F1, a 0.3-megapixel digital stills camera with a rotating lens. Check out this piece of photographic history as Gordon Laing takes it on a quick tour of Brighton.
Digital cameras have been around for just a moment compared to the long history of film photography, and that means within those many decades are some truly interesting and unique cameras. One of the weirdest and most beloved among those is the Rollei 35, and this great video takes a look at five reasons why it was such a fun and interesting camera.
