One could easily say that nothing is what it seems because our minds create a subjective representation of the world around us. With memories, this representation may be even more complex. As scientists explain, encoding a memory in the brain is a biological event that begins with a sensory experience. Every memory we have captures emotions, and colors are one of those aspects that evoke and illustrate what we feel.
Olympus is well known for placing innovative and clever technology in their cameras, but that reputation goes back further than you might think. This neat video takes a look at a camera that is six decades old but features a fascinating automatic exposure system that allows it to function without any batteries needed.
Few camera shots are more readily recognizable than the Dutch angle (sometimes known as the Dutch tilt or canted angle), with its jarring tilt capturing the viewer’s attention instantly. Where did this strange shot come from, and why do filmmakers use it? This interesting video takes a look at the history of the Dutch angle and its usage in cinema.
The beauty of digital photography is that once you have paid for the camera and storage, you can take as many images as you want at essentially no additional cost. Of course, on the other hand, when it comes to film photography, every press of the shutter incurs an additional cost. So, a film camera that promises to double the number of images you can take with every roll sounds quite intriguing. This neat video will show you one such camera.
The rule of thirds is the first thing that is taught about composition in photography. It seems to have some similarities with the golden ratio, but in reality, it’s something completely different. Let’s have a closer look at the history of these so-called rules to get a better understanding.
Non-photographers often complain about black and white images: they’re dated, they’re just a gimmick, or they’re elitist and boring. These are personal preferences; however, we live in a color world, so you can’t discount that black and white images can create a disconnect for modern viewers. To bring history alive, is colorization a solution?
When I was working in the photo industry in the late 90s and early 00s, Nikon was king. Canon was already a close second or even considered the leading brand, depending on which photographer one spoke with. Both companies offered a robust selection of lenses, advanced camera bodies, and excellent autofocus systems. And then there were the outlier brands, like Minolta, Olympus, and Pentax, all who made some wonderful cameras, but were not nearly as popular as tools for professionals. Minolta was, perhaps, one of the most adventurous camera makers.
