Fujifilm has been dominating the instant camera market for quite some time now. The Instax division from Fujifilm is its most profitable sector when it comes to the photography industry. However, a familiar brand called Polaroid is once again on the rise and aims to take its place back on top of the market.
I’m a Windows user, but I fell for the hype and purchased a $3,500 M1 Macbook Pro. Will it be good enough for me to leave my custom-built desktop?
Some lenses are naturally exciting, the sort that inspire and excite you to go out and create images. Others are more pragmatic workhorses, and it can be easy to be tricked into thinking you can get away without them, especially when you have something like a bokeh monster in your bag. This interesting video examines one photographer’s journey away from and back to an uninspiring but highly useful lens.
The Sony a7 IV has finally been released, and it is setting the bar for what we can expect from a mirrorless camera. The question is whether it is so much better than what else is out there that it’s worth getting.
Sony cameras have long been criticized for their color science. The notion is that Sony cameras produce unflattering colors, especially for skin tones. This claim seems to be leaning towards raw files processed in Lightroom. Capture One is generally recommended, so, let’s find out which of the two software is the better option for Sony raw files.
I have rarely been a big fan of fixed prime lens cameras, but the exception has always been the Fujifilm X100 series. What started out as a quirky and fun camera has evolved into a highly capable professional tool in its fifth generation — all without losing any of the unique personality that first endeared it to photographers. This excellent video review takes a look at the new model and the sort of image quality and performance you can expect from it in practice.
