Architectural photography can be described as one of the more technical kinds of photography. Photo compositions generally need to have a more structured aesthetic. Vertical lines need to be straight, and the best way to ensure this is by using a tilt-shift lens. The question is: which lens is best for architectural photography?
Okay, so I know a lot of readers may disagree with me on this and have different opinions. My writing here isn’t intended to cause any offense, but more to offer an opinion and start a discussion on the matter. My evidence here is based on having worked in the IT industry for over 30 years and working in the photographic industry with creatives. Hopefully, after reading this you’ll come up with an understanding which may help your next (or first) computer storage purchase.
While features like lighted buttons have slowly become a bit more popular in the industry, haptic feedback has been largely ignored, despite being an extremely common feature in other technology. However, that might change eventually, as a Canon patent for a vibrating shutter button has appeared.
Sigma’s new 60-600mm f/4.5-6.3 DG DN OS Sports lens is potentially one of the most versatile lenses on the market right now, covering a massive focal length range that should be appealing to bird, sports, and wildlife photographers. Can it still offer the kind of image quality and performance we have come to expect from Sigma despite that extreme design? This excellent video review takes a look at everything you can expect from the lens.
I had planned to write a love letter to C-stands, but then I remembered this video that caught my attention a year ago. Trigger warning; this video is not that new, but C-stands aren’t either, and they happen to be one of the most valuable pieces of kit I have ever laid my hands on. The video goes through the many, many ways in which to make use of them, and, I must say, in a very entertaining way.
Sigma’s latest entry in the highly popular Art series, the 50mm f/1.4 DG DN Art, is here, and it brings with it an impressive array of features and capabilities and an even more impressive price. This excellent video review takes a look at the new lens and the sort of performance and image quality you can expect from it in practice.
Fujifilm recently introduced their latest 40-megapixel APS-C sensor, the X-Trans CMOS 5 HR. Along with announcing two new cameras featuring the X-Trans 5 chip, a list of lenses that are “optimized” for the new sensor was also released. But do you need the optimized lenses to get the most out of the new cameras? I address this and more in my latest video.
