A 24-70mm f/2.8 is the workhorse of choice for a huge number of photographers, suitable for a wide range of scenarios and needs. Sony recently released the second version of theirs, the FE 24-70mm f/2.8 GM II, and this excellent video review takes a look at the improvements and new features in the new lens and the sort of image quality and performance you can expect from it.
I’m a long-time Apple fan. I’m thoroughly in the ecosystem, with MacBook M1 Max laptop, a Studio Mac, iPad Pro, and iPhone. I’ve also had the Apple Watch since the first edition and now have a Series 7 Apple Watch planted on my wrist.
At the moment, all of the focus on Canon cameras and lenses is on the RF line, but before that series existed, there was the EF-M line, which is still hanging around and offers small and impressively affordable bodies and lenses. If you are looking for such a setup, check out this fantastic video tutorial that offers a comprehensive guide to all the lenses in the EF-M system.
The OM System OM-1 sets a new standard for micro four thirds cameras by offering features and capabilities that help it compete or even exceed those of APS-C and full frame options. This excellent video review takes a look at the camera and the kind of performance and image quality you can expect from it in real-world usage.
There used to be no contest in image quality between supertelephoto prime and zoom lenses. Zooms simply could not keep pace with primes, and if you wanted to create professional-level photos or work in demanding conditions, you had no choice but to shell out for a top-shelf prime. Supertelephoto zoom lenses have made tremendous progress in the last few years, however. So, do you still need to buy those ultra-expensive primes? This great video discusses the topic.
A few years back, I managed to find a beater of a Hasselblad XPan for a song. I’ve tried to find a shooting style that would help me stand out from the crowd, and the panoramic format appealed to me. I didn’t realize it at the time, but this purchase sent me down a rather obsessive path, trying to find the best panoramic cameras for news and editorial work.
85mm lenses with wide maximum apertures are some of the most popular out there, particularly for portrait photographers, but they can also run well north of $2,000 for a good model. And so, at less than $200, the Meike 85mm f/1.8 is quite the intriguing lens, but do you get much at such a low price? This excellent video review takes a look at the lens and the sort of performance and image quality you can expect from it in practice.
The industry has been putting out some really hard-to-resist gear these last few years. Ever since Sony released the a7 mirrorless line, it’s been a tsunami of gear upgrade options that seem too good to pass by. Whether it’s the new tack-sharp, image-stabilized Canon RF lenses, the 61-megapixel Sony a7R IV, or the new “creator-ready” Nikon Z 30, it’s not just a case of “Shiny Object Syndrome”: these developments in technology really do reflect in the quality of the work creatives can produce. That’s where MPB comes in.
