Sigma’s latest lens is the 16-28mm f/2.8 DG DN Contemporary, and it offers the versatility of a wide angle zoom with a wide maximum aperture at a price that significantly undercuts typical first-party offerings of the sort, making it an intriguing option for many photographers and filmmakers. This excellent video review takes a look at the lens and the sort of image quality and performance you can expect from it in practice.
Not many kit lenses are known for their performance or image quality, but there are a few hidden gems out there that offer quite a lot for not a lot of money. One such example is the Olympus M.Zuiko 12-50mm f/3.5-6.3, and this great video review takes a look at the lens, what makes it great, and why OM Systems should consider an updated version.
24-70mm f/2.8 lenses are the workhorses of choice for a wide variety of photographers and filmmakers, suitable for anything from weddings to landscape work and much more. Sony recently released the second iteration of their version, the FE 24-70mm f/2.8 GM II, and this great video review takes a look at the lens and the sort of performance and image quality you can expect from it in practice.
The 85mm lens is generally the most popular choice for portrait photography, but 135mm has long been an alternate favorite of a lot of photographers. Just like the former focal length, there are some impressive 135mm options out there, one being the Sony FE 135mm f/1.8 GM. This great video review takes a look at the lens and the sort of performance and image quality you can expect from it in practice.
Do you have a lens in your collection that brings you joy every time you use it? One that begs to be used because of how beautifully it renders the world around you, and you can’t help but wonder how a specific subject might look when photographed with it? I recently found that lens for myself with the Zeiss Milvus 50mm f/1.4, and to be honest, it has been an unexpected love affair.
Tamron has reinvented themselves in recent years, releasing highly practical and affordable lenses alongside innovative options like the 35-150mm f/2-2.8 Di III VXD. They have now announced the development of another lens in the spirit of the latter group, the 50-400mm F/4.5-6.3 Di III VC VXD, expected to arrive later this year.
35mm lenses with wide maximum apertures are some of the most popular and versatile out there, suitable for a huge range of applications, from events coverage to portraits, astrophotography, and more. The Voigtländer Nokton 35mm f/1.2 SE is quite an interesting alternative to many mainstream options, and this excellent video review takes a look at the lens and the sort of performance and image quality you can expect from it in practice.
