I got a sneak peek at a pre-production version of the new Nikon Z fc and thought I’d share a handful of thoughts.
Gear
Which Supertelephoto Mirrorless Zoom Lens Is Right for You?
The camera world is absolutely awash in supertelephoto zoom lenses right now, and there are plenty of options out there with varying capabilities and price points. This excellent video comparison takes a look at two of the best options, the Sigma 150-600mm f/5-6.3 DG DN OS Sports and the Sony FE 200-600mm f/5.6-6.3 G OSS.
Sony, Sigma, and Tamron: Who Makes the Best Supertelephoto Zoom Lens?
Supertelephoto zoom lenses are useful for a wide range of genres, including everything from sports and wildlife to landscapes. There are a lot of options out there, and this excellent video review takes a look at four of them, the Sigma 150-600mm f/5-6.3 DG DN OS Sport, Sony 200-600mm f/5.6-6.3 G OSS, Sony 100-400mm f/4.5-5.6 GM OSS, and Tamron 150-500mm f/5-6.7 Di III VC VXD.
What Is This Famous Camera Like 20 Years Later?
The original Canon 1D came out almost 20 years ago, in November of 2001, and it represented the company’s arrival on the professional digital camera market. Since then, the 1D series has become well known for its high-level capabilities and almost unbreakable build, becoming a favorite of countless pros around the world. What was the original model like, though? This neat video takes a look at the shooting experience and image quality. Spoiler alert: the colors are beautiful.
Why a Seasoned Landscape Photographer Bought a 150-600mm Lens
When you think of focal lengths in landscape photography, lenses like a 24mm or 16-35mm probably come to mind, and for good reason, as wide angle lenses help to capture those beautiful scenes in one frame. That being said, longer focal lengths have their place too, and this excellent video features a seasoned landscape photography discussing just why he bought such a lens for his own work.
Fstoppers Reviews Haida’s NanoPro Magnetic Kit: Essential Filters Made Easy
While there are dozens of options for filters, covering different effects, sizes, and manufacturers, I’ve found that I only need a few key filters for a landscape shoot. I like to use neutral density filters and circular polarizers, both of which are impactful and less easy to replicate in software. Haida’s NanoPro line has delivered great results in my past experience — can their magnetic filter line deliver the same quality?
Is This Affordable 35mm Lens a Good Option for Astrophotography?
Astrophotography has some specific and often more demanding requirements when it comes to lenses, and as such, it takes careful evaluation of potential options to know which is right for your work. For astrophotographers on a budget, there is the Viltrox 35mm f/1.8 AF, and this great video review takes a look at the sort of image quality and performance you can expect from it in practice.
