One of the most standard professional lenses for a wide range of genres is the 70-200mm f/2.8, but such lenses are almost always expensive and bulky. In recent years, we have seen a rise in 70-200mm f/4 lenses as alternatives for those who want the versatility of those focal lengths but who do not need the extra stop of aperture. Canon shooters have options in both camps, so which is right for your work? This helpful video comparison takes a look.
Fujifilm’s series of GFX medium format mirrorless cameras took the industry by storm by creating medium format mirrorless cameras with modern features normally reserved for systems will smaller sensors and offering them at highly competitive prices. This excellent video review takes a look at one member of that series, the GFX 50S II, and the sort of performance and image quality you can expect from it in practice.
It certainly is an exciting time to be a gear nerd, with manufacturers having released some truly next-level cameras and lenses in the last few years. This interesting video review takes a look at some of the best options of the last few years, their pros and cons, and how they compare to each other.
There are essentially three types of modern cameras: DSLRs, mirrorless bodies, and rangefinders. There are a few other formats that mostly fell by the wayside, however, as time marched on, such as the zone focus camera and the TLR. This neat video takes a look at using a TLR, including its unique experience and images.
My first camera was a Minolta SRT-101. I loved that camera. It was an excellent tool for learning about photography and manual exposure. As it was completely manual in operation, the internal meter was my only guide for achieving correct exposure, outside of using an external source or just guessing. Fast forward 20-plus years and the way I use an internal light meter has remained largely unchanged. That all changed recently.
Generally, the longest focal length lenses available are 800mm f/5.6 options, aside from rare or discontinued examples. And even as a prime, such a lens is massive. So, you can imagine just how big things get if you want to make a zoom that can reach 800mm with an f/5.6 aperture, but that is just what this lens known as the “Sigmonster” can do.
Photographers typically have dozens of options when it comes to portrait lenses, with something available to fit just about every budget. Near the top of the mountain is the Fujifilm GF 110mm f/2 R LM WR, a premium portrait lens for Fuji’s respected line of medium format mirrorless cameras, and this excellent video review takes a look at the sort of performance and image quality you can expect from it in practice.
