When V-Flat released the new Karl Taylor Light Cone, the comments ranged from dismissive jokes about “the cone of shame” to excitement for a product designed by esteemed commercial photographer Karl Taylor. I decided to take the cones into my product studio and see for myself if this simple tool really delivered the effortless results it boasted.
It used to be that wedding photographers had to carry expensive top-level optics in order to ensure they could reliably deliver professional shots. However, in recent years, third-party and mid-tier lenses have made remarkable steps forward, and it is now possible to save both your back and your bank account by purchasing more modest options and still be able to deliver excellent images. This excellent video discusses some of the best options out there for Sony users.
While the EOS R system and RF mount have proven quite successful, they actually were not the company’s first foray into the mirrorless market. That honor belongs to the EOS M system, but it seems (unsurprisingly) that the company is continuing to wind down those cameras and lenses to focus on the RF mount.
The Sony a1 is here, and it has caused a ton of waves thanks to its ridiculous specs. It has started to reach the hands of some users, and this fantastic video review takes a look at this powerhouse and the kind of photo and video performance you can expect from it in practice.
Modern digital cameras can shoot remarkably quickly, but as impressive as they are, they have less machinery to move around than film cameras. This fun video shows the incredible mechanics behind an old 16mm film camera at 1,000 fps, allowing you to see how it all came together to produce watchable footage.
