When it comes to photo gear, few things get the attention of more photographers than the promise of extra-smooth bokeh. And while Canon already has plenty of lenses that can offer that, they seem to be investing in taking it even further with several intriguing new lens designs.
In 2013, Tamron released the SP 150-600mm f/5-6.3 Di VC USD, which became a runaway hit for the company, offering access to extreme focal lengths at a much more affordable price than before. In the decade since, 150-600mm lenses have exploded on the market, with many options available. This excellent video review takes a look at one such option, the Sigma 150-600mm f/5-6.3 DG DN OS Sports, and the sort of performance and image quality you can expect from it in practice.
Architectural photography can be described as one of the more technical kinds of photography. Photo compositions generally need to have a more structured aesthetic. Vertical lines need to be straight, and the best way to ensure this is by using a tilt-shift lens. The question is: which lens is best for architectural photography?
Okay, so I know a lot of readers may disagree with me on this and have different opinions. My writing here isn’t intended to cause any offense, but more to offer an opinion and start a discussion on the matter. My evidence here is based on having worked in the IT industry for over 30 years and working in the photographic industry with creatives. Hopefully, after reading this you’ll come up with an understanding which may help your next (or first) computer storage purchase.
While features like lighted buttons have slowly become a bit more popular in the industry, haptic feedback has been largely ignored, despite being an extremely common feature in other technology. However, that might change eventually, as a Canon patent for a vibrating shutter button has appeared.
Sigma’s new 60-600mm f/4.5-6.3 DG DN OS Sports lens is potentially one of the most versatile lenses on the market right now, covering a massive focal length range that should be appealing to bird, sports, and wildlife photographers. Can it still offer the kind of image quality and performance we have come to expect from Sigma despite that extreme design? This excellent video review takes a look at everything you can expect from the lens.
I had planned to write a love letter to C-stands, but then I remembered this video that caught my attention a year ago. Trigger warning; this video is not that new, but C-stands aren’t either, and they happen to be one of the most valuable pieces of kit I have ever laid my hands on. The video goes through the many, many ways in which to make use of them, and, I must say, in a very entertaining way.
