For the first time in history, Nikon released a camera that carries the mark II addition in its name. It is indeed the same camera as the mark I, but with a lot of improvements. I reviewed the Nikon Z 6II to find out if it is worth the upgrade.
Lens filters are essential for just about any landscape photographer’s gear bag, giving you the ability to cut down on problematic reflections or take greater control over your shutter speed for artistic exploration. This great video tutorial will show you everything you need to know about using lens filters for landscape photography.
One of the most annoying aspects of using front-mounted circular filters is that there are many different common sizes, which can quickly add up in cost and make you carry around a bag with a bunch of different filters. Canon’s unique Drop-In Filter EF-EOS R Mount Adapter solves that issue, allowing you to use a single ND or polarizing filter with any EF lens. This excellent video review takes a look at how it holds up in the real world.
A 24-70mm f/2.8 lens is the workhorse of choice for a ton of photographers and filmmakers, offering a versatile focal length range and a wide maximum aperture. They can be quite expensive, however, which is why Sigma’s 24-70mm f/2.8 Art, which is about half the price of first-party options, is so intriguing. This excellent video review takes a look at the lens and if it can compete with more expensive options.
The X-E4 slots into Fujifilm’s beloved X Series line of mirrorless cameras as an affordable option that still offers a wide range of features paired with the company’s latest iteration of the X-Trans sensor. This great video review takes a look at the camera and the kind of performance and image quality you can expect from it in practice.
While 70-200mm lenses are generally the standard for telephoto zooms, if you do not need a wider aperture, a 70-300mm lens can offer you more reach on the telephoto end and is often far cheaper than a 70-200mm f/2.8 or f/4 lens. Such is the case with the Tamron 70-300mm f/4.5-6.3 Di III RXD, and this excellent video review takes a look at how the lens performs in the real world.
Venus Optics is known for producing some rather unique and extreme lens designs, and the Laowa 17mm f/4 GFX Zero-D is no different, offering an extremely wide angle of view for Fujifilm medium format shooters. This great video takes a look at the lens and the kind of performance you can expect from it in the real world.