Shooting 360 video in low-light has never been easy, but larger sensors that are popping up in cameras like the Insta360 ONE RS 1-Inch 360 Edition Camera are increasing possibilities for night shooting. Here are a few tips to make the most of whatever 360 camera you’ve got for low light.
An 85mm lens with a wide maximum aperture is the tool of choice for countless portrait and wedding photographers, offering a classic, flattering focal length in tandem with shallow depth of field and plenty of low-light capabilities. Such lenses run a wide gamut of prices, however. This excellent video comparison takes a look at three options with a $1,000 price difference between them, the Samyang AF 85mm f/1.4 FE II, Sony FE 85mm f/1.4 GM, and Sigma 85mm f/1.4 DG DN Art.
An 85mm lens with a wide maximum aperture is one of the most popular options on the market, particularly useful for portrait and wedding photographers who want a flattering focal length and narrow depth of field. That being said, such lenses can cost well north of $2,000. This is what makes the Meike 85mm f/1.8 so compelling, with a sub-$200 price tag that still includes autofocus. This great video review takes a look at the lens and the sort of performance and image quality you can expect from it in usage.
A key component for many street photographers is context in a scene. To many, an image without space in the frame for the setting may be considered as a portrait and not belonging to any particular genre or style. Street photographers are so focused on context they gravitate towards rangefinders that let you see outside the frame. This commonly held approach to street photography lends itself to the ubiquitous use of wide angle lenses.
We photographers love gear. If you’re like me, you probably have a corner (or a basement) filled with modifiers, filters, lenses, lights, and more. The truth is that we don’t need a ton of expensive gear to create dramatic results, and in my latest video, I will show you how to create a Rembrant-style portraits using one off-brand flash in a small modifier.
The Fujifilm X-H2 mirrorless camera is the company’s newest option in the X Series line, and it is a major step forward, being the first to offer a high-resolution sensor — the highest ever in an APS-C camera, in fact. There is more than just that sensor to be excited about, though. This excellent video review takes a look at the camera from a photography perspective and the sort of performance and image quality you can expect from it in practice.
50mm lenses are some of the most popular and versatile options out there, able to tackle a wide range of scenarios with ease. They are available at prices ranging from below $100 to well over $2,000. At $598, the Sony FE 50mm f/2.5 G sits in the middle of all that. So, does it offer premium image quality and performance for that mid-range price? This excellent video review takes a look at the 50mm f/2.5 to answer that question.
24mm lenses with wide apertures are some of the most versatile out there, offering a reasonably wide (though not overly so) focal length in tandem with a lot of light-gathering and subject-isolating power. The Canon RF 24mm f/1.8 Macro IS STM takes that versatility and adds in macro capabilities and image stabilization, making it quite the intriguing option. This excellent video review takes a look at the lens and the sort of performance and image quality you can expect from it in practice.
Coming in a relatively small and portable package and at a price that will not break the bank, the Canon RF 15-30mm f/4.5-6.3 IS STM offers photographers access to all the most common ultra-wide angle focal lengths along with a few extra useful features. Can it offer the sort of performance and image quality professionals need? This excellent video review takes a look.
