A lot of photographers seem to fall for promises that presets make, and sometimes, they are true. There are packs out there that give decent results. But the problem with presets is that they do the creative work for you instead of helping you be the creative you wish to be. And that is what is holding you back. But what if there’s one unique preset that will distinguish your work from everyone else’s? You can’t buy it, but you can develop it. Here’s how.
Early on in our photographic career, it seemed as though every photo we took was a new masterpiece. It was clear that I was meant to be a photographer by the awe-inspiring photos I was taking of the streets of New York. Fast-forward a few years, and you couldn’t pay me to admit those photos were mine, much less show them.
Somewhere between Allen Funt and season 245 of Survivor, reality television has become the most popular genre of television. We’ve seen a handful of photography-centered shows, but not nearly enough. Frankly, even I got tired of watching the drama of America’s Next Top Model just so I could watch 10 minutes of photography. Thanks to Rankin and the BBC, we’ve been giving something much better.
You take photos, you write books, you’re published in weekly and monthly newspapers and magazines, and travel the world with the sole purpose of… traveling. You sound like one of the early social media influencers of the 2010s who was “living the dream,” constantly on the road, distributing a drip of photos and articles to the travel-enthused general public. However, it’s 1888, and your name is Frank Carpenter.
When you make the decision to become a professional photographer, it’s easy to get wrapped up in all the gear you need, the software, and the technical abilities. However, there’s a lot more to a successful career in this industry, and overlooking many of these elements can hold you back.
