When I was working in the photo industry in the late 90s and early 00s, Nikon was king. Canon was already a close second or even considered the leading brand, depending on which photographer one spoke with. Both companies offered a robust selection of lenses, advanced camera bodies, and excellent autofocus systems. And then there were the outlier brands, like Minolta, Olympus, and Pentax, all who made some wonderful cameras, but were not nearly as popular as tools for professionals. Minolta was, perhaps, one of the most adventurous camera makers.
Along with only a few other luminaries of his generation, Gian Paolo Barbieri helped to create the foundations of modern fashion photography. By pushing fashion photography beyond fashion commerce, the depth of Barbieri’s images forces us to consider them as art as much as commerce. I had the chance to ask Barbieri a few questions about being a pioneer in his field and what it takes to create a legacy.
I have been very vocal about phones never being able to replace cameras for professional work. But, as photographers, we also indulge in casual photography of things that simply look good. I looked for a camera for such work for the past two years now, and now I found one. It is the unlikely star: iPhone 14 Pro.
In a lot of my articles, I go on about how incredible Capture One is and how every photographer (with a few exceptions) should switch from Lightroom to Capture One. In this article, we will finally take a deep dive and see for ourselves why it’s worth considering the switch in 2023.
What does it really take to get by in an industry where any Tom, Dick, and Harry has it in them to harvest likes on images like basking sharks devouring krill? Who’s doing it better? Well, everyone, right? What’s happening, day to day, week to week in the life of an active professional photographer? Well, I’m laying it all on the line. Telling it like it is. Here’s a desperately honest account of what happens in an average week for me, an honestly average photographer.
