When I first heard of this Sony 16-35mm f/4 lens with power zoom, I looked at it as a gimmick feature. But after actually getting to use the lens, I think people are really going to love this lens.
Fstoppers Originals
20 Ways to Grow Your Photography Business in 2022: Part Two of Four
In part two of this series, we will discuss tips six through ten. These are steps you can take today to grow your photography business. If you missed part one, you can read it by clicking here. Special thanks to Lancaster, PA based headshot photographer Richard Waine for collaborating with us to create this series.
Retro Review: Shooting With a 20-Year-Old Fujifilm/Nikon Frankenstein Monster
The early 2000s were a golden age for digital cameras. Companies like Olympus, Nikon, Sony, Canon, Ricoh, and others seemed to release an endless stream of unique, quirky, and often excellent cameras. I was lucky to work at a large camera store at the time, and almost every day, I remember unboxing some new gadget that was pushing the boundaries of design and resolution. The most fun days were when a new DSLR arrived.
Premiere User Tries Color Grading in Final Cut Pro
A couple of months ago, I tried Final Cut Pro for the first time. Surprisingly, there were many things I liked about Final Cut, but it wasn’t enough to convince me to switch from Premiere. Today, I’m giving Final Cut Pro another try.
Savage Sports Photography
How do you get “the shot”? The saliva spewing out, as a fighter gets the decisive knockout blow. The sprinters desperately leaning forward in to gain the winning inch as they cross the finish line. The water tracing the swimmer’s face as they come up gasping for air. Sporting events happen so fast, and even if you make the most of your camera’s impressive burst rate, it takes a lot more to nail your sports photos. These are three pillars I always lean on to create savage sports imagery.
