Non-Linear Editing software is rather simple. Footage clips are dragged into a timeline, and the editor can cut clips to shorten them and arrange them in an order that makes up the visual part of the video.
Landscape photography is somewhat synonymous with shooting large scenes with a wide angle lens, but what about more intimate landscapes? On a recent trip through Colorado, I found myself using a telephoto lens almost exclusively and came up with five tips that might help your try one out for yourself.
If you are a photographer in any capacity, chances are you deal with the same repetitive questions and comments from non-photographers when your photography comes up in discussions. It gets old, and despite it usually being well-meaning, I wish people would stop asking these five things.
Capturing a great landscape photograph is extremely rewarding because a lot of things have to come together in order to nail it. But sometimes no matter how hard you try there’s just a little something missing. In this walkthrough, I’ll show you how to enhance your landscape images with a composite in Photoshop CC.
For the longest time, my favorite lens on any camera system was a 35mm wide-aperture prime. The focal length forced me to get “in the action” for impactful portraits, yet it was wide enough to capture wide angle scenes. But a new lens has recently won my heart and assumed the top spot in my kit. In this video and article, I’ll be walking through a photoshoot while demonstrating why the Canon RF 28-70mm f/2 lens is my favorite lens of all time.
You could be forgiven for believing that the requirement for instant gratification is a rather new affliction. However, it’s more likely that swift results were gated behind technology and that the few inventions that provided it were well placed for unprecedented success, like the instant camera.