Perhaps one of the biggest moral debates I have with myself is when I look at the good work of “bad” photographers — work that has a life of its own and work that has become culturally significant. Yet, that work has a dark side to it: the creator. Is it possible to look at photographs without ever thinking about the photographer behind them?
The OED defines “diptych” as a pair of thematically linked paintings, photographs, sculptures, etc. For Toni Meneguzzo, in light of his show, Diptych, opening at 29 Arts in Progress Gallery in Milan, the word seems to mean something much broader. Meneguzzo’s Diptych is an invitation to engage with his newest work side by side with his growing legacy, perhaps as a challenge for the viewer to consider where art and commerce overlap.
Somewhere between Allen Funt and season 245 of Survivor, reality television has become the most popular genre of television. We’ve seen a handful of photography-centered shows, but not nearly enough. Frankly, even I got tired of watching the drama of America’s Next Top Model just so I could watch 10 minutes of photography. Thanks to Rankin and the BBC, we’ve been giving something much better.
One of the photographers that shapes the future of portrait, fashion, and advertising photography is Rankin. His portfolio includes the portrait of HM Queen Elisabeth II and countless images of Kate Moss, Heidi Klum, and A-List celebrities. As a fashion photographer, he has photographed commercially for some of the biggest clients, while his editorial work has been displayed on the covers of most major magazines over and over again.
