50mm lenses with wide maximum apertures are some of the most popular out there, offering a versatile focal length useful for everything from portraits to events, in tandem with excellent low-light and narrow depth of field capabilities. Both Sigma and Sony recently released new premium 50mm f/1.4 options, and this great video comparison takes a look at both to help you decide which is right for your needs and budget.
A wide-aperture 50mm lens is one of the most versatile optics a photographer can own, suitable for everything from portraiture to low-light events work. For Sony shooters, the FE 50mm f/1.2 GM offers an extremely wide maximum aperture and features geared toward professional use, and this awesome video review takes a look at the sort of image quality and performance you can expect from it in practice.
Milan-based gallery 29 ARTS IN PROGRESS is exhibiting photographs by Mario Testino. This exhibition will first show his iconic images and later, never-seen-before personal work of Testino. I spoke to Luca Casulli, the co-founder of 29 ARTS IN PROGRESS gallery, to find out what makes Unfiltered so special to the public, collectors, and even the gallery.
When I watch events, and the cameras swiftly pan by the crowded photographers trying to get the cover shot, I can’t help but scan for women. I do it when the receiver runs full force out-of-bounds and accidentally crashes into the sideline photographers. “Was there a woman in that crew?” Or on CSPAN when the camera pans back to the counsel’s table and you get that quick glimpse of the photographers sitting like sardines on the floor with their cameras. At the Olympics, especially, I’m always eyeing women. I don’t see them as often as I wish.
At just two inches (five cm) long and 8.1 oz (230 g), the Sigma 24mm f/3.5 DG DN Contemporary is an exceedingly portable lens at an ideal focal length for walkaround work or quick and versatile events coverage. This great video review takes a look at the lens and if its image quality and performance can match its sleek design.
How do you get “the shot”? The saliva spewing out, as a fighter gets the decisive knockout blow. The sprinters desperately leaning forward in to gain the winning inch as they cross the finish line. The water tracing the swimmer’s face as they come up gasping for air. Sporting events happen so fast, and even if you make the most of your camera’s impressive burst rate, it takes a lot more to nail your sports photos. These are three pillars I always lean on to create savage sports imagery.
When I got the opportunity to test out this lens, I jumped at the chance. An ultra-wide angle zoom at f/2.8 would be great for so many different photographic applications: landscape, architectural, interior, astrophotography, events, creative, and video, to name a few. Did I get the opportunity to test it out with all of these? No, but what I did get to try certainly produced the results.
