A Look at Two of Fujifilm’s New Lenses

Wide-aperture prime lenses are valuable for a huge range of genres and applications, and the Fujifilm XF 23mm f/1.4 R LM WR and XF 33mm f/1.4 R LM WR are two of the latest options for users of the ever-popular X Series line of mirrorless cameras. This excellent video overview discusses the image quality and performance of the two new lenses and offers a range of sample images for you to peruse.

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Things to Think About Before Buying a Camera With a Large Sensor

It used to be that full frame was the largest sensor size most photographers could reasonably afford, with medium format reserved for rental houses and a few rare creatives. However, in recent years, we have seen an explosion of relatively affordable medium format options that open an entirely new system to many photographers. Before you take the plunge, check out this great video that answers some common questions about medium format and illustrates some problems you might encounter.

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Is This Affordable Lens All Nikon Shooters Need?

Nikon’s Z 50 mirrorless camera has gained a fair bit of popularity by offering an affordable APS-C entry into the world of mirrorless cameras in a compact but capable body. The NIKKOR Z DX 18-140mm f/3.5-6.3 VR lens offers a huge range of focal lengths in a small body, making it a natural companion to the Z 50 for a wide gamut of uses. This excellent video review takes a look at the lens and the sort of image quality and performance you can expect from it in practice.

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Storytelling, Layering, and Gutsy Setups: Tips From Top Women Photographers Today

When I watch events, and the cameras swiftly pan by the crowded photographers trying to get the cover shot, I can’t help but scan for women. I do it when the receiver runs full force out-of-bounds and accidentally crashes into the sideline photographers. “Was there a woman in that crew?” Or on CSPAN when the camera pans back to the counsel’s table and you get that quick glimpse of the photographers sitting like sardines on the floor with their cameras. At the Olympics, especially, I’m always eyeing women. I don’t see them as often as I wish.

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