The capabilities of smartphones when it comes to photography and videography have improved to a degree where they are legitimately useful tools for professions and enthusiasts alike. I got my hands on Zhiyun’s Smooth-Q3 to put it through its paces, and the results surprised me.
Nikkei recent published a synopsis of Techno System Research’s Market Share Survey for 2020, a detailed paywalled survey of camera shipment data from major manufacturers. The headline is a 5.0% drop for Nikon, decreasing its total market share. This isn’t great news for Nikon, but is it all it seems?
Fujifilm’s new GFX 50S II is the company’s most affordable medium format camera, but does the performance make it a worthwhile purchase when there are full frame cameras available with similar resolutions? This review seeks to find out.
Few events bring more photographers out with their cameras than the leaves changing in fall, and no matter what you shoot, it is a fantastic opportunity to capture beautiful shots of dramatic colors and landscapes. Of course, managing and editing color properly is of the utmost importance with such photos, and this great video tutorial will give you three helpful tips to make sure you are creating the best edits possible.
When it comes to landscape photography, tripods are normally the tool of choice, but there are plenty of situations in which you might be without a tripod or when using one is too much work. That does not mean you can’t get sharp photos, though, and this helpful video tutorial will give you a range of tips to show you how.
In the first part of this series of two, I introduced bokeh — out-of-focus areas — and outlined the main controls of defocus. These include sensor size, focal length, aperture, distance to subject, and distance to the backdrop. How, then, do you compare defocus between lenses and cameras? Read on.
Medium format lenses tend to be pricier than their full frame or APS-C counterparts; after all, a bigger sensor requires bigger glass to match it. A sub-$1,000 medium format lens is a rarity; even rarer is a sub-$1,000 zoom lens. Fujifilm’s GF 35-70mm f/4.5-5.6 WR fits the bill, though, and this great video review takes a look at the lens and how it holds up on the GFX 50S II.
