Fujifilm’s GFX line of medium format mirrorless cameras rewrote medium format’s role in the industry, taking it from a niche tool used by a few studios and rental houses and making it a viable alternative to full frame bodies, particularly for landscape, wedding, and portrait photographers. If you are curious about the camera for landscape work, check out this great video review that discusses the performance and image quality you can expect from it in practice.
Sony users have the blessing of having both a large native lens library and a robust slate of third-party options. With all those choices, it can be a bit difficult to know which is right for you. This helpful video discusses the best lenses for Sony users, including zooms and primes and the full range of focal lengths.
There’s a lot of press about how phones are hanging right in there with “real” cameras. And while sometimes this is true, for the most part, a Canon EOS R5 is still going to be much more capable than a cell phone. It’s just a shame that major camera brands’ marketing departments haven’t figured out how to show that.
When I was working in the photo industry in the late 90s and early 00s, Nikon was king. Canon was already a close second or even considered the leading brand, depending on which photographer one spoke with. Both companies offered a robust selection of lenses, advanced camera bodies, and excellent autofocus systems. And then there were the outlier brands, like Minolta, Olympus, and Pentax, all who made some wonderful cameras, but were not nearly as popular as tools for professionals. Minolta was, perhaps, one of the most adventurous camera makers.
When Canon got serious about mirrorless camera and lenses, they put all their attention into developing full frame options. Of course, many users prefer APS-C cameras for their lower prices, smaller form factor, and extra reach. It looks like those users will be happy in 2023, with more APS-C cameras and lenses on the way.
Do you all remember the when Sigma released the “Bigma” in 2001? The Bigma, or Sigma 50-500mm f/4-6.3 EX DG HSM, dominated the amateur and semi-professional market. 22 years later, in a time of mirrorless cameras and high-end optics, the next Bigma is here. Welcome to the new Sigma 60-600mm for Sony E. Is it worth your money? Read on to find out.
Eye-controlled autofocus, in which the camera selects the autofocus point by detecting which one you are looking at, is one of the niftiest features in the Canon EOS R3 mirrorless camera. In a bit of good news, Canon has confirmed that the feature will be coming to more mirrorless models in the future.
