The Sony a7S series of cameras is strange. They’re described as stills cameras; however, most customers seem to use them for their video features. At best, they’re an odd compromise that doesn’t fit anywhere properly. For this reason, I’d like to discuss why Sony should get rid of this line completely or at the least, revamp the series.
Nikon’s Z 50 mirrorless camera has gained a fair bit of popularity by offering an affordable APS-C entry into the world of mirrorless cameras in a compact but capable body. The NIKKOR Z DX 18-140mm f/3.5-6.3 VR lens offers a huge range of focal lengths in a small body, making it a natural companion to the Z 50 for a wide gamut of uses. This excellent video review takes a look at the lens and the sort of image quality and performance you can expect from it in practice.
When I watch events, and the cameras swiftly pan by the crowded photographers trying to get the cover shot, I can’t help but scan for women. I do it when the receiver runs full force out-of-bounds and accidentally crashes into the sideline photographers. “Was there a woman in that crew?” Or on CSPAN when the camera pans back to the counsel’s table and you get that quick glimpse of the photographers sitting like sardines on the floor with their cameras. At the Olympics, especially, I’m always eyeing women. I don’t see them as often as I wish.
The GH6 is the latest entry in Panasonic’s popular line of mirrorless micro four thirds cameras, and it brings with it a wide variety of improved capabilities and new features. This great video review takes a look at the camera and the sort of image quality and performance you can expect from it in practice.
Fujifilm gets a pretty bad rap these days from the film photography community. So, it’s easy to forget that from the 1980s to the early 2000s, Fujifilm produced some of the best cameras ever made: medium format, point and shoots, the extraordinary Xpan, and a sack full of other interesting goodies.
Technology often follows a path where it begins life large, slow, and expensive, and then gets smaller, faster, and cheaper as time passes. Digital cameras have not followed this trend for a number of reasons, and every time I think I can predict where the industry will go, a curveball is thrown.
Sony’s a7 series has long been respected as some of the most well-balanced cameras available, offering features and capabilities that satisfy the needs of many photographers and filmmakers without more extreme options that often drive prices higher. This great video review features a creative discussing why among multiple brands and camera bodies, the a7 IV was the camera he returned to the most in 2022.
